打鐵計劃 Blacksmith Project

2019~

以俗稱「打鐵街」的台北市大同區興城街為根據地。興城街是一個在臺北歷史中極少被記錄的街區。它是廣為人知的老台北區「大稻埕」的其中一個區域,日據時期即因鄰近碼頭,方便船隻零件修繕而興起,過去被稱為「下厝庄」。1970~1990年代,因台灣作為國際拆船業重心及交通地利之便,打鐵街從現興城街一帶,沿承德路綿延到臺北車站後站,成為經濟起飛時期的重要幕後推手。

提及打鐵街,現今眾所周知的是文創產業及咖啡館正熱的赤峰街。也許一如大多傳統產業的命運,以及歷史的寫成總掌握於少數人手中,被揀選過。儘管這條打鐵街曾在幾十年前打得火熱,退燒後仍靜靜地在那訴說著台灣的產業歷史及政經環境的轉變,但少有人知。

計劃藉由訪問當地鐵工師傅、居民及文史工作者等,從打鐵街出發,回望傳統產業及老台北街區如何受政經環境影響而轉變。探索歷史、空間、老師傅們的身體記憶,如何被記寫,思考過去與未來的連結,我們如何面對消逝。

2019年開啟「打鐵計劃」,進行田野調查、聲音及影像的紀錄,在台北國際藝術村駐村聯展中發表階段性成果展覽《打鐵計劃進行中》,並在打開—當代藝術中心發表《打鐵計劃——微光閃耀》展覽。2022年一月,於洪建全基金會雨棚計畫發表《不息》打鐵計劃第三次階段性展覽。

共同創作者:黃嘉文、廖笠安

2019,《打鐵計劃進行中》,台北國際藝術村,台北
2019,《打鐵計劃——微光閃耀》,打開—當代藝術中心,台北
2022,《不息》,洪建全基金會覓計劃空間,台北

 

 

Blacksmith Street Project

Xingcheng Street, also called “Blacksmith Street,” is an area that rarely been recorded in the history of Taipei. In the Japanese occupation period, it used to be lined with blacksmith factories because of its close proximity to Dadaocheng and for the ship demolition industry at that time. During 1970~1990, Blacksmith Street stretched from Xincheng Street to the Taipei rear station. It was the most prosperous period of time for blacksmiths because of the nearby ship demolition industry.  Ships were broken down and all the iron components, large and small, were repurposed by the blacksmiths, who forged the iron into replacement parts for imported machines. These old masters fostered the rise of many important industries in Taiwan.  

The blacksmith and metal-related industries took on a significant role during this stage of great economic growth in Taiwan, but like many traditional industries, people rarely take note of its history and ignore the importance of it. The history of this once prosperous street, located in the city center, has been obscured by the hustle-bustle of Taipei, Taiwan’s capital city. Blacksmith St. is a place suspended in time. 

Yenting Hsu started this project from the “Blacksmith Street”, and carrying it on to the old Taipei center – Dadaocheng and Datong District, or even the history of traditional industry in Taiwan. Look into how did the changes in the political and economic environment influence the traditional industry and the old Taipei area. She’s interested in how this street and its industry related to Taipei and Taiwan’s economic history as a whole. How has its history been written?

Through sounds, videos and installations, Yenting Hsu hopes to spark the audience’s imagination and give them clues to the unique space and story of Blacksmith street. In this project, she also questions about how spaces, existing facts, experiences, body memories of manual labor and connections are documented, narrated and transformed. Can this blacksmith street really disappear? Disappearance is because of ever existence. Yenting Hsu and her collaborators keep experimenting with the possibility of connecting the past and the future at present. 

Blacksmith Street Project is a long-term project from 2019 till now.

Co-creator: HUAN Chia-Wen, LIAO Li-An

2019,Blacksmith Project (work in progress),TAV,Taipei
2019,Blacksmith Project: Shimmer,OCAC,Taipei
2022,Everburning,Hong Foundation, Taipei